Conceptual remake and critical reconstruction of Chris Marker’s La Jetée (1962), composed using different videogames. The intent isn’t an act of clonation but an attempt to highlight and understand nature and culture of the abused media, with their underneath rhetorics and surfaces narratives. Where Marker’s film concur to elaborate a subsequent storyline, The Bowl (La Jatte) want to underline the creational potentiality inherent every single frame-screenshot.