Conceptual remake and critical reconstruction of Chris Marker’s La Jetée (1962), composed using different videogames. The intent isn’t an act of clonation but an attempt to highlight and understand the nature and culture of the abused media, with their underneath rhetorics and surface narratives. Where Marker’s film concurs to elaborate a subsequent storyline, The Bowl (La Jatte) wants to underline the creational potentiality inherent in every single frame screenshot.